备注：已完结
类型：剧情
主演：GiannisAngelakas JennyKitseli Ifige
语言：希腊语
年代：未知
简介：导演:NikosNikolaidi编剧:尼科斯·尼克莱迪斯主演:GiannisAngelakas/JennyKitseli/IfigeniaAsteriadi类型:剧情/动作/冒险制片国家/地区:希腊语言:希腊语上映日期:2003-01-31又名:TheLoserTakesAllIMDb链接:tt0352531败者为王的剧情简介······ [IMDB] 6outof6peoplefoundthefollowingcommentuseful:- itsabeautifulworld,27October2005 10/10 Author:wot31fromCyprus Probablyoneofthegreatestunderworldmoviesevercreatedinanon-Hollywoodenvironment.Man(gianisaggelakas),amysteriousmanoftheunderworld,smalltimegrifterandbigtimehard-man,whohasananarchictendencytomumbleandcommentonthesystem,society,police,theunderworlditselfandotherthings, alongwithhisbelovedbird,Bellafonte,meetsupwithanoddposseconsistingofkid,whoisayoungsongwriter,aprostitutewhogathersmoneyinordertoopenobookstore,analcoholicgirlhauntedbytherelationshipwithherdeadmother,andthegrudgeybar-woman-ex-girlfriend.Thefiveofthemgetcaughtupinaschemeinvolvingthemedia,themob,politiciansandthepolice.Andtheydefinitelywanttogetthehelloutofthecity,probablytosomeCaribbeanparadise. ThisisthethirdNicolaidesfilmthathastodowithGreekgangland,andtheendofhis"crimetrilogy".Again,likeinGlykeiaSymmoria,nicolaidesmakeshisownsocialcomments,eitherusingManasamouthpiece(mindyouthelyricsofTrypes,thebandwhereaggelakasusedtosinginarevery"sociallyaware"),orthroughouttheplot.Theviolenceisstilltough,butthereisaweeprogressivenotioninthefilm,asensethatnicolaideshasmatured,andistryingtomoveontonewerthingssinceGlykeiaSymmoria,makingafilmthathasthespeedofaJarmuschmovie,withanundergroundstoryline. Triviaone:ThemostoftheoutsidesceneswerefilmedinthedistrictofExarchia(Athens),whichwasfamousintheeightiesandtheninetiesasaplacewhereanarchists,drugaddicts,pettycriminalsandrockershangout Triviatwo:Thehouseweretheravescenewasfilmed,wastorndownafewweeksaftertheshoot Triviathree:Thebarwerethebarmaidisworking,wasbuiltin1830.AtfirstitwashousingoneofKingOtthoscommissars.Duringthe20thcenturyitwasneglected,orusedasabrothel.Sincethemid1980sithousesclubdecadence,oneofthemostfamousalternativerockbarsinAthens 《败者为王电影网友评论》牵强地方太多
备注：已完结
类型：剧情
主演：VickyHarris JennyKitseli Arhontissa
语言：希腊语 希腊语
年代：未知
简介：主演：VickyHarris/JennyKitseli/ArhontissaMavrakaki/EftyhiaYakoum导演：NikosNikolaidis语言：希腊语/希腊语地区:希腊编剧：类型：剧情上映时间：2005 别名：用户标签：希腊,Cult,2000s,Nikos.Nikolaidis,剧情,NikosNikolaidis,Nikos·Nikolaidis,Nikos_Nikolaidis片长：Greece:123分钟imdb编号：tt0494901希腊CULT导演NikosNikolaidis的最后一部作品！ 1.ametaphoricaltranslationofnowadaystruths First,ImustsaythatthisisnotatypicalHollywoodspoonfeedingormainstreamproduct.TheZeroYearsisacontroversial,extreme,unusual,outrageous,mysterious,absurd,daring,exotic,eroticandpoliticalfilmwhichbelongstoatrilogythedirectorhasnamed"TheShapeoftheComingNightmare". IhadthepleasureofdiscoveringthisgemattheChicagoInternationalFilmFestival.Itchallengedmanyoftheviewersatthescreeningbutthepresenceofit'sleadactressVickyHarris(she'sAmerican?!!)fortunatelyclarifiedmanyofthequestionsthataroseduringanextendedquestion/answersessionafterthescreening. Thecorrectinterpretationofthedirectorsmessagesseemeddependentofthepreviousfilmsofthetrilogyandevenmoreso,asHarrisexplained,eachoneofhisfilmsisonlyapieceofthegreatercanvasofthisdirectorswork.Unfortunately,onlyoneofhispreviousfilmshasbeenreleasedintheUnitedStates.TherestcanbefoundonDVD,butwithoutsubtitles. Yes,theaudiencehadmixedreactionsbecausethisISaprovocativefilm.Thesetypesoffilmsarenotcreatedtobelovedorhatedandthedirectorobviouslywasnotaimingforsomespecificreaction.Hewasjustpouringouthisverypersonalbeliefswithoutcaringaboutopinion.Opinionsareboringandwehavesomuchofitinourworld,which,bytheway,isfullofcritics.Whatonethinksofamovieisirrelevant!Thequestionshouldbe:Diditreachyoursubconsciousornot.Diditmakeyouthink?andthesequestionsbytheway,cannotreallybeansweredatthetimeyouseeafilmlikethisbecausethereisnowayyoucanhaveaconceptaboutwhatithasdonetoyouyet.Ifyouletthisfilmaffectyou-youwillfinditwillgointoyourdeepest-darkestpart,asitdidours,andTHATisthebeautyofthisfilm. Itfeaturesfourleadfemales.Foura-typicalcharacterswho'sensembleactingissointensethatyoucannotresistentering"theirworld"whichisoneof:off-beatdialog,originalyetambiguousstorylines,surprisingplotresolutionsandbravethemesofsexualandpoliticalnature.Andalthoughthesetypesofmoviesareusuallynotperformancebased,mostoftheperformancesinthismoviewillrockyourmind.Harrishasafilmpresencethatisalmosthypnotic.Herperformanceisuniquelybalancedbetweenintellectualchoicesandtruthfulemotions.Sheeffortlesslytouchesyouthroughandthrough(andherpresenceatthefestivalwasadoubleverificationofhertalent,asonecouldseethatinreallife,sheborenoresemblancetohercharacter).Kitselias"theleader"isfantastic!andmomentscomingfromMarowerestrongtoo.Christinacompletesthegroupyetseemsabittheatricalattimes.Asanensembletheyareallfabulous! FoursterilizedwomenworkinginaState-runbrothel,afterthedeclineofthe"newWorldOrder"(whichthedirectorbelievesisNOTinthefuture-itisNOW).Weallseetheconnectionyetsomecalleditaviolentfilm.Well,violenceisapartineverymans-everydaylife,andonmanylevels.Yetnomatterwhatwesay,themoviescreenisatit'sbloodyestwhenwearetalkingaboutviolationofthemindandsoul.Suchisthecaseofthesecharacters.Livinginasocietyofrepression("Theytoreoutourwombsandimplantedfear")..."SterilizedbytheState"... Thisfilmisjustastrongmetaphoricaltranslationofeverydaytruths.Yet,notforeveryonetoaccept. 2.Fourwomen,barren,undersurveillanceandcontinuoustoxiccontrol,areservingtheirterminagovernmentrunbrothel BeyondhisnarrativegeniusN.N.'sevolutionturnshiscreationsintosignificant(and)extra-filmevents.Thisisparticularlyevidentin"THEZEROYEARS"–Beyondtheobviousandtheimplied(globaldictatorship,etc.)thereisadiscreetandpenetratingpsychologicalanalysisandobservation.Asweknowattheendof"THEZEROYEARS"weclearlyperceivethatbecauseofthedeadlockandthelackofsolutionsitsheroineschoosehelloverthefreeopenworldwhich(however)hasbeeninvalidated.Itisbothaconsciousandanautomatedchoice.Thewomenareovercomeby"institutionalism".Hellisfinebecauseweknowitanditisbetterthanasupposedlyfreeworld,which,inanyevent,iswhollycontrolledandtotallynotfree."Ilovemybondsandmytorment;theyarebetterthantheunknownhorroroftheoutside."The"noirspoke"tousmanytimesaboutimpassionedheroesandtheirbonds,characterswhoareterrifiedofthefreeopenfields.N.N.goesbeyondthisfilm-noirconventionandreachesfurthertoapproachexistentialphilosophy(particularlythatofCamus).Amicro-prisoninsideanenormousone.WhateverwechoosewearetrappedandwhatwedemandisnottogetOUTbuttofreeeverything,toteardownallthebarbedwire."THEZEROYEARS"isachronologyoftheendofcivilizationandofurbaninstitutions.Everythingisillusion;everythingisutopiaandatrap.ALEXISDERMETZOGLOU
