备注：已完结
类型：日剧
主演：小日向文世 松田龙平 小西真奈美 栗山千明 要润 生濑胜久 吉高由里子
语言：日语
年代：未知
简介：《明天的喜多善男~》是由岛田雅彦的小说《自由死刑》所改编，由曾经制作《沙妆妙子—最后事件—》《Draonhead》而广为人知的饭岛让治出任编剧。主人公喜多善男，45岁，被妻子（小西真奈美）所抛弃的二手男人，欠了一屁股债。本想在11天后挚友的忌日上结束自己的生命，在这时开始了我们的故事，也开始了他自己根本想都不敢想的波澜万丈的人生……明天的喜多善男电影网友评论：★★★☆松田龍平這個髮型真是帥爆了!但是背後落一大截的衣服好像擦汗布|||吉高看著不太滿意OTL眾人臉部特寫是攝影重點類似群像劇?故事算飽滿中間的各種展開讓人招架不住不過前面玩太high了結尾變得很無趣啊..."因為咖喱而放棄自殺有點..."該說這是吃貨的本性么ww應該吃飽了再上路不喜歡這種消極蛋疼的調子。對於男主越看越厭煩，就是有種庸人自擾，無病呻吟的感覺。一直把自己x天後要去死挂在嘴邊，是想獲得同情嗎？仗著這個理由，不斷擾亂別人的人生（雖然前妻也只能說是因果報應）。真正想死的人是不會隨便把「我要去死」挂在嘴邊，自己的人生弄成這樣的局面不能說自己沒有責任冲着松田龙平看完一部冷门日剧讲述一个极其善良却窝囊倒霉的中年大叔一门心思寻死的故事，一开始觉得大叔实在猥琐剧情实在拖沓，到后来故事反转，每个人似乎都缠进自己的困兽斗，才明白所有的痛苦挣扎矛盾冲突，都源自内心那个自己，而解决之道，也从中而来。给四颗星！龙平小天使坏坏的样子，也好可其苦修要不要这么催泪！只第一集心里的大叔就哭了起来！小日向叔的声音太合衬台词QAQ重看几次都会有相似的体会特别想狂撒安利的一部！元素其实也很多保险调查杉本和他的金毛儿小助手好萌XD顺便哥哥为三年以后的弟弟开条美青年和萌大叔的CP先河么XD（不要乱扯是饭田让治让我从此不再讨厌松田龙平了，身高差CP依然有效的很。不是饭田一贯的变态犯罪路线但依然很有意思，喜多善男那么多集善恶两个自我对话全是最后两集的铺垫，小日向最后的变身演得太好了。从”看你敢不敢死一个看看“到”大叔不要死啊啊啊“大概能明白有人说不好看两集弃的原因了如果不是松田龙平和吉高估计我也撑不过三集第六集开始变得有趣渐渐地也不讨厌那个大叔的设定了松田和吉高对手戏好少哦但是每一次都能萌出新高度配角卡司强大而且这可能真的是松田龙平表情最丰富的一部戏了！我操大街上捡了个儿子捡的还是松田龙平（用一天时间追完了松田龙平果然捡了个爹我的直觉不错08年老剧了只有松田龙平一条线好看妈的真喜欢他也就只有日剧里能在要死的时候有松田龙平来救你（喜欢这个剧的松田龙平的话应该是喜欢儿子的心理吧大概能明白有人说不好看两集弃的原因了如果不是松田龙平和吉高估计我也撑不过三集第六集开始变得有趣渐渐地也不讨厌那个大叔了松田和吉高对手戏好少哦但是每一次都能萌出新高度配角卡司强大而且这可能真的是松田龙平表情最丰富的一部戏了！终于看完了，还好，我还能把这个看完。小日向文世做主演的确挺稀奇的。可是还是一般般吧。剧情太不给力了。消极小日向那嘴脸太龌龊了。不过在三角迷踪里也见实过一点就没啥了。一天天爱死不拉活的剧情看着累。吉高还是那么可爱啊，不错于是，他和他的好基友在一起了。。剧本还是有太出彩的地方，由于时常问题，剧情和表演也免不了重复。小日向叔你自己和自己演什么的，一定是长年和不会演戏的主演练出来的吧。打斗的戏虽然不多，这也太弱了吧，干嘛全靠剪辑？！4.0节奏慢且结尾弱化否则神作/首话剪辑能见饭田的恐怖美学/配乐有爵士钢琴的戏谑和温情/主角分裂设计很高招/中段布局超精彩人物网状交连/伪装逃避挣扎放纵自欺罪罚一切人心定夺不关警察什么事/女演表现拉低整体质感这部其实有点像《不需要爱情的夏天》，就是把女主角给换成了大叔……松田龙平在里面的人设和造型都有点年轻时的渡部笃郎的意思，可能也是因此才难得地散发出了一点荷尔蒙，心动了！
备注：已完结
类型：剧情
导演：威廉·A·韦尔曼
语言：英语
年代：未知
简介：This is not a large scale multi-million dollar e ic of World War Two. No thousands of extras, no wide anoramic swee of battle scenes. This says more about The Battle of the Bulge than the movie of the same name. It's just an ordinary black and white M.G.M. roduction. What it lacks in size and sco e it makes u for in im act.A sim le story very well told, of a squad of GI's of the 101st Airborne Division, thrown into the maelstrom that was the German offensive in the Ardennes in December of 1944 against the Allied ground forces. It's hard to believe that this film was not shot on location; but on a Metro sound stage. And Metro's Culver City was turned into the only outdoor location for the snow-covered, rubble-strewn town of Bastogne under siege, which was tenaciously held by the 101st, under the command of Brig. General Anthony McAuliffe. With the exce tion of Van Johnson as Pvt. Holly who was high rofile on the Metro lot in his time, and George Mur hy as Pvt. Stazak, the rest of the cast were character-ty e actors who filled their roles erfectly. James Whitmore as Sgt. Kinnie is drilling the squad in the o ening scenes. The squad members talk of an enjoyable furlough in Paris which is suddenly cut short by the German breakthrough in the Ardenne. Ptv. Stazak ho es of going home are dashed because his authorised documents have not come through before the squad moves u front. Douglas Fowley as Pvt. Ki ton seems to be the best in the squad at bellyaching.Maybe it's his dentures that make him a sour uss. But Fowley's dentures turn into a class act; clicking away to the old song, "I Surrender Dear," through the courtesy of a German ro aganda broadcast heard over the radio in a Sherman tank. Denise Darcel comes as a welcome relief of feminine leasure; not out of lace in the town of Bastogne itself. In an indoor scene, Pvt. Holly's eyeballs go into left-to-right overdrive as he stares at Denise's buxom rear end descending a flight of stairs. Then there's Holly again, nursing stolen newly-laid eggs, as valuable as gold nuggets. He's about to scramble them over a fire when the squad is told to saddle u and move out. Not for the first time does Johnson (Pvt. Holly) yell, "oh no!" A ex ression he's used in ast movies also. The broken eggs in his u turned helmet are now a roblem. In the end it's disaster. The German artillery scramble the eggs for Holly. Problem solved! On a three man atrol, Holly, Hodiak as Janness, Montalban as Rodriguez, interce t and force a jee carrying a Major and two sergeants to sto and identify themselves. The knowledge that Germans are infiltrating in GI uniforms has made the atrol sus icious so the Major is asked how the Dodgers made out in 1944. The Major hesitates,but the Sergeant in the rear seat asks Holly who Betty Grable is married to. Montalban shouts back, "Cesar Romero". The Major says Romero is out. "Betty Grable is married to Harry James". The tense atmos here relaxes. The atrol is convinced they're friendly. What is dis layed authentically on this studio sound stage is the icy, bone-chilling atmos here of the battlefield. The men hunkered down; the dee er the better, in their foxholes. Throughout nearly all this movie there is the constant rise and fall in the background of continuous artillery fire, like a rolling thunder. It never seems to cease. Sometimes it's close, sometimes distant. That, along with the freezing fog hanging like a thick whitish-grey blanket in the air, envelo ing everything, gives off an atmos here of crisis; a feeling of fearful tension. The men endeavour to dis el the fear with humour. Waiting and wondering when the enemy will a ear ghost-like out of the mist-shrouded forest. Near the end of the movie, Leon Ames gives a good erformance as a Army Cha lain. Trying to ex lain the reason for this necessary tri to Euro e, to kill off a murderous olitical system that has already killed off millions. Before the end, the tables turn in the Allies favour. Sergeant Kinnie notices his shadow against the snow. The sun is breaking through and the mist rises. Allied tactical air ower is back in business again with a vengeance. Veteran director William Wellman was not found wanting when he directed this movie. He had already roved himself with, "The Story of GI Joe", in 1945. Antiwar film? Any war film well made and convincing can be antiwar, and you do not need blood all over the silver screen to rove it. Antiwar or not, World War Two was a " o ular" war. The reasons stuck out a mile. The Army Cha lain said so in so many words. The Ardennes offensive caught the Allies unawares. By late 1944, battered the German forces may have been. But they still had a few nasty shots in their locker to scare the living daylights out of the Allied Command. We thought the Germans had run out of fighting steam, but old Field Marshal Gerd Von Rundstedt thought different.
备注：已完结
类型：日剧
主演：波瑠 柳乐优弥 麻生祐未 大空真弓 坛蜜 石井杏奈 寺胁康文 齐藤由贵
语言：日语
年代：未知
简介：早濑美月（波瑠饰）和母亲早濑显子（齐藤由贵饰）过着相依为命的生活，在显子的帮助和支持下，二十五岁的美月在高中教授英语课，这是一份人人羡慕的工作。外人看来，美月和显子之间的感情十分要好，两人亲密无间就好像姐妹一般，但实际上，显子常常会显现出偏执而又充满了控制欲的一面，母女两人之间的关系在平静的表面下暗涌着滚滚波涛。某日，美月结识了在早濑家工作的松岛太一（柳乐优弥饰），太一英俊而开朗，两人在一来二去之间发现彼此十分投机。眼看着美月和太一走得越来越近，显子渐渐开始感到了恐慌，她决定依靠破坏女儿和太一之间的关系，来达到将女儿留在身边的目的
备注：已完结
类型：日剧
主演：绫濑遥 三浦春马 水川麻美 铃木梨央 中川翼 瑞城さくら 真飞圣 伊藤
语言：
年代：未知
简介：保科恭子（铃木梨央饰）、土井友彦（中川翼饰）和酒井美和（芮成穗饰）是就读于“阳光学苑”的同学，这所学校建造在崇山峻岭之中，与世隔绝。堀江龙子（伊藤步饰）是学校里新上任的老师，尽管一开始是被学校的教育理念所吸引才来此处工作的，但随着时间的推移，龙子却开始感到校园之中萦绕着一种诡异的气氛。某日，校长找到了恭子、友彦和美和，告诉他们三人身上都背负着特殊的使命。一晃眼多年过去，三人长大成人走入社会，恭子（绫濑遥饰）和友彦（三浦春马饰）恋爱了，而美和（水川麻美饰）亦喜欢着友彦。当他们命中注定的使命到来之时，三人会以怎样的姿态来面对人世间的黑暗和绝望呢
备注：已完结
类型：纪录
主演：乔·野生 John Reinke Kelci Saffery John
语言：英语
年代：未知
简介：在比小说还奇怪的老虎主人世界里，有各种古怪和另类的人物，但几乎没有人能比乔·野生更引人注目。他是一个留着胭脂鱼发型、持枪的一夫多妻主义者和西部乡村歌手，管理着俄克拉荷马州的一个路边动物园。魅力超凡但误入歧途的乔和一群令人难以置信的人物（包括毒枭、骗子和邪教领袖）都对老虎以及这种危险动物所获得的地位和关注有着莫大的热情。但卡罗·巴斯金（老虎保护区的动物维权人士和所有者）威胁要关闭他们的动物园时，事情变得可怕起来，他们的争斗最终让乔·野因一场雇凶杀人的阴谋而被捕，并揭露了一个扭曲黑暗的故事，而比老虎更危险的只有老虎的主人
